Opus |
Title |
Description |
Year |
Publisher |
1 |
Von ewiger Freude (Of Eternal Joy) |
Cantata for four solo women's voices (SSAA) and double female choir, with organ and two harps |
1912 |
Universal Edition (1916) |
2 |
Vom Bäumlein, das andere Blätter hat gewollt (The Tree That Wanted Different Leaves) |
for alto solo, six-part female choir and small orchestra. text by Rückert |
1916 |
Universal Edition (1916) |
3 |
Serbische Weisen (Serbian Melodies) |
for piano duet (four hands) |
1916 |
Universal Edition (1919) |
3b |
Serbische Weisen (Serbian Melodies) |
for small orchestra |
1937 |
Tischer&Jagenberg (now Eirich) |
3c |
Serbische Weisen (Serbian Melodies) |
No. 5 for Mandolin Orchestra |
0 |
(Hladky, 1937) now Heinrichshofen |
4 |
Der Arzt der Sobeide (Sobeide's Doctor) |
Comic opera in a prologue and two acts. Text by Fritz Zoref |
1917 |
Universal Edition (1919) |
5 |
Phantasien (Fantasies): Three Songs to poems by Rabindranath Tagore |
for alto solo, women's choir, clarinet, horn, harp (or piano) and string quartet (or string orchestra) |
1919 |
Universal Edition (1922) |
6 |
Suite for Cello and Piano |
|
1919 |
Simrock (1920), now Boosey & Hawkes |
7 |
Drei Skizzen (Three Sketches) |
for piano |
1910 |
Universal Edition (1921) |
8 |
Two Songs for 4-Part Male-Voice Choir a cappella |
|
1914 |
Universal Edition (1927) |
9 |
Variationen über eine Wiener Heurigenmelodie (Variations on a Viennese 'Heurigen' Melody) |
for violin, cello and piano |
1914 |
Simrock (1921), now Boosey & Hawkes |
10 |
Five Intermezzi |
for string quartet |
1914 |
Simrock (1921), now Boosey & Hawkes |
10a |
Vier Miniaturen (Four Miniatures) |
for mandolin, violin, viola and cello (arr 1937) |
0 |
Hladky (1967), now Trekel |
10b |
Vier Miniaturen (Four Miniatures) |
for mandolin orchestra |
|
Hladky, now Trekel |
11 |
Three Songs for 3- and 4-part Male-Voice Choir with piano (or small orchestra) |
|
1911 |
Leuckart (1921) |
12 |
Three Songs for 3- and 4-part Women's Choir with Piano |
|
1910 |
Leuckart (1921) |
13 |
Piano Quartet (B flat major) |
for violin, viola, cello and piano |
0 |
Simrock (1922), now Boosey & Hawkes |
14 |
Kinderverse (Children's Verses) |
for 4-part women's choir a cappella (piano ad lib.) |
0 |
Tischer & Jagenberg (1922), now Eirich |
15 |
Die Heilige Ente (The Sacred Duck) |
(Opera) A play with gods and men. In a prelude and three acts Text by K.M.Levetzow and Leo Feld |
1921 |
Universal Edition (1922) |
16 |
String Quartet No.I (F Minor) |
|
1916 |
Simrock (1924), now Boosey & Hawkes |
17 |
Sonata in Bb Minor for Violin and Piano |
|
1920 |
Simrock (1925), now Boosey & Hawkes |
18 |
Piano Trio (E Major) |
for violin, cello and piano |
1923 |
Simrock (1925), now Boosey & Hawkes |
19 |
Motette (Motet) |
for 8-part mixed choir (SSAATTBB) a cappella (Matthias Claudius) |
1924 |
Simrock (1925), now Boosey & Hawkes |
20 |
Ouvertüre zu einem Puppenspiel (Overture to a Puppet Play) |
for small orchestra |
1923 |
Tischer & Jagenberg (1925), now Eirich |
21 |
Zwei geistliche Gesänge (Two Sacred Songs) |
for soprano, organ and viola da gamba or cello |
1923 |
Leuckart (1926) |
22 |
Divertimento for flute, oboe, two clarinets, trumpet, two horns and bassoon |
|
1924 |
Leuckart (1925), now also Maecenas |
22b |
Divertimento for Small Orchestra |
|
1924 |
pending publication by Leuckart |
23 |
Das Lied der Nacht (The Song of the Night) |
(Opera) Dramatic ballad in three scenes. Text by K.M. von Levetzow |
1924 |
Universal Edition (1926) |
24 |
Suite for Piano |
|
1922 |
Simrock (1926), now Boosey & Hawkes |
25 |
Herbstlieder (Autumn Songs) |
Five songs for 4-part women's choir (SSAA) a cappella. |
1912 |
Simrock (1926), now Boosey & Hawkes |
26 |
Requiem for Mignon |
fragment from Goethe's Wilhelm Meister, for baritone solo, two choirs (SA, SATB), organ and orchestra |
1922 |
Tischer & Jagenberg (1926), now Eirich |
27 |
Epigramme (Epigrams) |
Five madrigals after poems by Lessing, for 4/8-part mixed choir a cappella (or 8 voices) |
1926 |
Simrock (1927), now Boosey & Hawkes |
28 |
Sonata for Piano |
|
1927 |
Simrock (1927), now Boosey & Hawkes |
29 |
Toccata |
for organ |
1928 |
Simrock (1928), now Boosey & Hawkes |
30 |
Symphony No.1 (D major) |
for orchestra, originally Sinfonietta. |
1927 |
Simrock (1929), now Boosey & Hawkes |
31 |
Three Songs to poems by R.M.Rilke |
for three female voices or 3-part women's choir with piano |
1928 |
Simrock (1928), now Boosey & Hawkes |
32 |
Fünf ernste Gesänge (Five Serious Songs) |
to German seventeenth-century baroque poems for male-voice choir (TTBB) a cappella |
1928 |
Tischer & Jagenberg (1929), now Eirich |
33 |
Five Songs |
for middle voice and piano (no.4 and 5 also with harp) |
1917 |
Simrock (1929), now Boosey & Hawkes |
34 |
Drei Porträtstudien (Three Portrait Studies) |
to poems by Wilhelm Busch. For for 4-part male-voice choir with piano |
1929 |
Schott (1930) |
35 |
String Quartet No.2 (A Minor) |
|
1929 |
Schott (1930) |
36 |
Ballet Suite 'Scaramuccio' |
for orchestra |
1929 |
Schott (1931) |
37 |
Drei Gesänge (Three Songs) for mixed choir (SATB) a cappella |
|
1929 |
Breitkopf & Härtel (1932), private pending publication by Boosey and Hawkes |
38 |
Der Zauberspiegel (The Magic Mirror) |
A Christmas fairy-tale play in five scenes by Karl Erich Jaroschek. For small orchestra. |
1930 |
Suite only: Universal Edition (1931) |
39 |
Concerto for violin and small orchestra |
|
1932 |
Breitkopf & Härtel (1932) |
40 |
Drei Idyllen (Three Idylls) |
to poems by Wilhelm Busch for 4-part male-voice choir (TTBB) with piano |
0 |
Breitkopf & Härtel (1933), now private |
41 |
Serenade for violin, viola and cello |
|
1932 |
Breitkopf & Härtel (1933), now Pending publication by Boosey & Hawkes |
42 |
Die Beiden Klaas (Rich Claus, Poor Claus) |
Comic opera in three acts. Text by K.M. von Levetzow |
1932 |
Schott (1934) |
42b |
Burleske (Burlesque) |
for small orchestra (From 'Die beiden Klaas': Prelude to Act III) |
1932 |
Schott |
43 |
Concertino for piano and string orchestra |
|
1934 |
Simrock (1968), now Boosey & Hawkes |
44 |
Nachtmusik (Night Music) |
for soprano solo, male voices (TTBB), flute, cello and piano (Grimmelshausen) |
1933 |
Robitschek (1936), now private |
45 |
A Pickwickian Overture |
for orchestra |
1939 |
Novello (1946), now Music Sales |
46 |
Serenade for String Orchestra |
|
1937 |
Novello (1942), now Music Sales |
47 |
Summer Idylls (Stille Lieder) |
Four songs to poems by Caesar Flaischlen for women's choir a cappella |
1935 |
Association of American Choruses, now private |
48 |
Lilliburlero |
Improvisations on a martial melody, for orchestra |
1945 |
Novello (1950), now Music Sales |
49a |
Little Suite |
for two violins and cello (piano ad lib.) |
1947 |
Österreichischer Bundesverlag (1948), now private |
49b |
Trio for piano, violin and cello |
|
0 |
Österreichischer Bundesverlag (1949), now private |
50 |
De Profundis |
Cantata to German barock poems, for four soloists (SATB), mixed choir (SATB) and orchestra |
1936 |
Breitkopf & Härtel (1948) |
51 |
Four Madrigals to Elizabethan Poems |
for mixed choir (SATB) a cappella. |
1939 |
Novello (1949-52), now Music Sales |
51b |
Three Madrigals to Elizabethan Poems |
for women's choir a cappella |
1939 |
Novello, now Music Sales |
52 |
Concertino for violin and string orchestra |
|
1939 |
Bruckner (1953), now Alkor |
53 |
Symphony No. 2 (F major) |
for orchestra |
1942 |
Breitkopf & Härtel (1948) |
54 |
Kaledonische Suite (Caledonian Suite) |
Schottische Tanz- und Singweisen (Scottish dance and song tunes) for small orchestra |
1949 |
Tischer & Jagenberg (1958), now Eirich |
55 |
Concertino for organ and string orchestra |
|
1948 |
Nordiska Musikförlaget (1954), now private |
56 |
Suite for violin and piano |
|
1942 |
Curwen (1951), now Boosey & Hawkes |
56a |
Partita for Mandolin and Piano |
|
1935 |
Hladky (1966), now Heinrichshofen |
57 |
Concerto for piano and orchestra |
|
1948 |
Breitkopf & Härtel (1952) |
58 |
Two Sonatinas for Piano |
|
1951 |
Augener (1953), now Schott |
59a |
Sonatina for Two Mandolins |
|
1952 |
Hladky (1957), now Heinrichshofen |
59b |
Suite for Three Mandolins |
|
1952 |
Hladky (1956), now Heinrichshofen |
60 |
Improvisation, Variations and Finale on a Theme by Mozart |
for mandolin, violin, viola and liuto (also mandolin orchestra) |
1934 |
Hladky, now Trekel |
60b |
Improvisation, Variations and Finale on a Theme by Mozart |
for string quartet |
1934 |
pending publication by Boosey&Hawkes |
61 |
Four Part-Songs |
for mixed choir (SATB) a cappella |
0 |
Boosey & Hawkes (1954) |
62 |
Symphony No. 3 (A major) |
for orchestra. |
1951 |
Breitkopf & Härtel (1954) |
63 |
Two Songs for 4-Part Male-voice Choir a cappella |
|
1954 |
Kistner & Siegel (1956) |
64 |
Three Small Pieces for Piano |
|
1933 |
Augener (1956), now Schott |
65 |
Three Preludes for Piano |
|
1944 |
Augener (1956), now Schott |
66 |
Biedermeiertänze (Biedermeier dances) |
Four pieces in 3/4 time for large mandolin orchestra |
1954 |
Hladky (1955), now Trekel |
66b |
Biedermeiertänze (Biedermeier dances) |
Four pieces in 3/4 time for mandolin, violin, mandola, guitar, mandoloncello and bass mandolin |
1954 |
Hladky, now Trekel |
67 |
Concerto for Cello and Orchestra |
|
1944 |
Breitkopf & Härtel (1955) |
68a |
Suite for Recorder and Violin |
|
1954 |
Haslinger (1955), now Doblinger |
68b |
Six Two-Part Inventions |
for descant and treble recorder |
1957 |
Haslinger (1958), now Doblinger |
68c |
Divertimento for 2 Treble Recorders and Guitar |
|
1957 |
Haslinger (1958), now Doblinger |
69 |
Mäander (Meanders) |
Suite for orchestra |
1954 |
Novello (1955), now Music Sales |
70 |
Lebenskreise (Life Cycles) |
Symphonic Cantata to poems by Hölderlin and Goethe, for 4 soloists (SATB), mixed chorus (SATB), youth choir and orchestra |
1955 |
Alkor (Barenreiter) (1956) |
71 |
Three Sonatinas for violin and piano |
|
1956 |
Augener (1958), now Schott |
72 |
Satirikon |
Four aphorisms for 4 male voices (TTBB) a cappella |
1937 |
Kistner & Siegel (1957) |
73 |
Music for String Orchestra |
|
1957 |
Breitkopf & Härtel (1958) |
74 |
Drei Marionetten (Three Marionettes) |
for piano duet |
1958 |
Augener (1960), now Boosey & Hawkes |
75 |
Songs of Youth (Jugendlieder) |
Five songs for women's voices a cappella |
1959 |
Boosey & Hawkes, London (1959) |
76 |
A Clarion Call |
for double women's choir a cappella (Anna Strawbridge) |
1959 |
Association of American Choruses (1960), now private |
77 |
Of a Summer Day |
Lyrical suite for 3-part women's choir with soprano (or mezzo soprano) solo and string orchestra |
1951 |
Association of American Choruses (1960), now private |
78 |
Quartettino |
for recorder quartet: 2 descant, treble (or tenor), tenor (or bass) |
1960 |
Universal Edition, London (1960) |
79 |
Idyllikon |
Four movements for small orchestra |
1958 |
Boosey & Hawkes (1962) |
80 |
Divertimento for mandolin with harp or piano |
|
1957 |
Hladky (1961), now Heinrichshofen |
80b |
Divertimento for flute, viola and harp |
|
1957 |
pending publication by Boosey&Hawkes |
81 |
Sinfonietta No. 1 for mandolin orchestra |
for mandolin orchestra, guitar, bass |
1961 |
Hladky (1966), now Trekel |
82 |
Concertino for treble recorder/flute and string quartet |
|
1961 |
Universal Edition, London (1963) |
83 |
Twenty-four Preludes |
for piano |
1959 |
Universal Edition (1965) |
84 |
Sonata for clarinet and piano |
|
1964 |
Hinrichsen (1965), now Schott |
85 |
Sonata for oboe and piano |
|
1965 |
Hinrichsen (1965), now Schott |
86 |
Sinfonietta No. 2 (E Minor) for mandolin orchestra |
|
1966 |
Hladky (1966), now Trekel |
87 |
Concertino for Cello and String Orchestra |
|
1965 |
Simrock (1968), now Boosey & Hawkes |
88 |
Trio-Serenade |
for treble recorder (or flute), violin and cello |
1966 |
Simrock,London (1967), now Boosey & Hawkes |
89 |
Sonata for Cello and Piano |
|
1953 |
Simrock, London (1969), now Boosey & Hawkes |
90(1) |
Divertimento for Bassoon and Cello |
|
1958 |
Simrock, London (1969), now Boosey & Hawkes |
90(2) |
Divertimento for Violin and Cello |
|
1967 |
Simrock (1968), now Boosey & Hawkes |
90(3) |
Divertimento for Violin and Viola |
|
1969 |
Simrock, London (1969), now Boosey & Hawkes |
91 |
Spätlese |
Six songs for male-voice choir (TTBB) a cappella |
1966 |
Breitkopf & Härtel (1970), now private |
92 |
Huyton Suite |
for flute and two violins |
1940 |
Simrock, London (1970), now Boosey & Hawkes |
93 |
Serenade for clarinet, violin and cello |
|
0 |
Simrock, London (1970), now Boosey & Hawkes |
94 |
Trio for oboe, violin and viola |
|
1941 |
Simrock, London (1970), now Boosey & Hawkes |
95 |
String Quartet No.3 (B Minor) |
|
1969 |
Simrock, London (1970), now Boosey & Hawkes |
96 |
Sonata for Two Violins and Piano |
|
1941 |
Simrock, London (1971), now Boosey & Hawkes |
97 |
Trio for Violin, Clarinet and Piano |
|
1950 |
Simrock, London (1971), now Boosey & Hawkes |
98 |
Divertimento for Three Recorders |
for descant, treble and tenor recorder |
1970 |
Schott (1972) |
99 |
String Quartet No.4 |
|
1970 |
Simrock, London (1972), now Boosey & Hawkes |
100 |
Triptych |
Three movements for orchestra |
1970 |
Simrock (1973), now Boosey & Hawkes |
101 |
Sonata for Viola and Piano |
|
1942 |
Simrock, London (1973), now Boosey & Hawkes |
102a |
Suite for viola and piano or orchestra |
|
1949 |
Simrock (1973), now Boosey & Hawkes |
102b |
Suite for alto saxophone and piano or orchestra |
Also known as Suite Concertante for Alto Saxophone and Small Orchestra |
1949 |
Simrock, London (1973), now Boosey & Hawkes |
103 |
Three Intermezzi |
for treble recorder or flute and harpsichord or piano |
1974 |
Schott (1974) |
104 |
Trio in F sharp minor |
for violin, viola d'amore (viola) and cello |
1971 |
Simrock, London (1974), now Boosey & Hawkes |
105 |
Symphony No. 4 (Sinfonia Concertante) |
Sinfonia concertante for flute, clarinet, violin, cello and orchestra |
1974 |
Simrock (1976), now Boosey & Hawkes |
106 |
String Quintet |
for 2 violins, 2 violas and cello |
1976 |
Simrock, London (1979), now Boosey & Hawkes |
107 |
Clarinet Quintet |
for clarinet and string quartet |
1977 |
Simrock, London (1979), now Boosey & Hawkes |
108 |
Twenty-four Fugues |
for piano |
1979 |
Simrock (1982), now Boosey & Hawkes |
109a |
Sonata for Cello Solo |
|
1982 |
Simrock, London (1983), now Boosey & Hawkes |
109b |
Suite for Cello Solo |
|
1982 |
Simrock, London (1983) now Boosey & Hawkes |
110a |
Four Bagatelles |
for treble recorder solo |
1983 |
Forsyth (1988) |
110b |
Recorder Sonatina |
for treble recorder solo |
1983 |
Forsyth (1993) |
|
Altwiener Tänze (Old Viennese Dances) |
Freely arranged for piano by Hans Gál |
1925 |
J.G.Cottasche Buchhandlung successors, Stuttgart/Berlin |
|
Promenadenmusik |
for military band |
1926 |
Schott |
|
Quartet for violin, viola, cello and piano left hand |
for Paul Wittgenstein |
1926 |
Simrock = Boosey & Hawkes |
|
Folksongs from the Volksliederbuch für die Jugend |
arranged by Hans Gál |
1930 |
Peters, Leipzig |
|
Sechs Volkslieder (Six Folk-Songs) |
arranged for male chorus (TTBB) a cappella |
1930 |
Kistner & Siegel (1930-31) |
|
Morgengruss, Lockruf der Mutter (Barthel) |
Provençale folk-songs arranged for female voices a cappella by Hans Gál |
1931 |
Deutscher Arbeiter-Sängerbund in 'Internationale Volkslieder für Frauenchor' |
|
Zelter: Bundeslied (Goethe) |
arranged for 4-part male-voice choir by Hans Gál |
1931 |
Kistner & Siegel, Leipzig |
|
Hin und Her |
Music for a farce. For chamber ensemble. Text by ödön von Horvath |
1933 |
Marton (Sessler) |
|
Sonata in D for violin and piano |
|
1933 |
Simrock/Benjamin |
|
Gluck: Symphony in G minor |
for 2 horns and string orchestra. Arranged by Hans Gál |
1934 |
Universal Edition |
|
Weisen aus Alt-Wien (Tunes from old Vienna) |
arranged for piano solo |
1934 |
Universal Edition (1934), Vienna |
|
Haydn: Symphony in B flat. Op.X No.2 |
rediscovered, adapted and edited for orchestra by Hans Gál |
1938 |
Universal Edition (orch. Parts: Boosey & Hawkes, London) |
|
Haydn: Overture to 'Armida' |
Adapted and edited by Hans Gál |
1939 |
Augener, now private |
|
Impromptu for Viola and Piano |
|
1940 |
Schott |
|
Capriccio for Mandolin Orchestra |
|
1948 |
Österreichischer Bundesverlag (1949), now Trekel |
|
Scherzando |
for two violins and cello |
1949 |
First published by Osterreichischer Bundesverlag, Vienna; now private |
|
A Pastoral Tune |
for piano six hands |
1953 |
Curwen (1954), now Music Sales |
|
Handel: Suite of Airs and Dances |
For 2 violins and piano; 2 violins (violin and viola) and cello, double bass and piano (continuo) ad lib.; or string orchestra with or without double bass and piano. Arranged by Hans Gál |
1954 |
Hinrichsen, now private |
|
Kleine Suite (Little Suite) |
for harpischord or piano |
1962 |
Schott |
|
Drei Deutsche Volkslieder (Three German Folk-Songs) |
arranged for male-voice choir (TTBB) a cappella |
1962 |
Haslinger (1962), now Doblinger |
|
Four British Folk-Songs |
for mixed choir (SATB) a cappella (English and German) |
1969 |
Schott (1969) |
|
Moment Musical |
for treble recorder solo |
1986 |
Forsyth (1987) |
|
Hugo Wolf: Corregidor Suite |
arranged and ed. for orchestra by Hans Gál |
|
Boosey & Hawkes, London |
|
Brahms: Hungarian Dances nos. 8 and 9 |
for orchestra, arranged by Hans Gál |
|
Simrock, now Boosey & Hawkes |
|
Handel: 6 Italian Arias |
for soprano solo, violin and piano. Arranged by Hans Gál |
|
Hinrichsen, now Peters |
|
Schütz: Two Dialogues |
for mixed voices (SATB, tenor and bass soli ad lib.) and piano or organ. Arranged by Hans Gál |
|
Curwen, now private |
|
Purcell: 'No, resistance is but vain' |
duet for soprano and alto with continuo (or string orchestra) arranged and edited by Hans Gál |
|
Curwen, London |
|
Drei Alte Weisen (Three Old Songs) |
arranged for male-voice choir (TTBB) |
0 |
Leuckart (1962) |
|
Vom heiligen Ehestand (On the holy marriage state) |
for soprano and baritone solo with piano; poem by Abraham a Sancta Clara |
1928 |
Unpublished |
|
Lyrical Suite |
to Browning's 'Pippa passes', for soprano solo, flute and string quartet. Also for flute, mandolin and string trio |
1934 |
Unpublished |
|
Three Vocal Quartets |
for mixed voices (SATB) and piano |
1934 |
Unpublished |
|
Two Anthems |
Psalm 121 for mixed voices and organ ad lib; Psalm 95 for soprano solo, four mixed voices and organ |
1936 |
Unpublished |
|
Schubert: Divertissement (E Minor) |
arranged for orchestra by Hans Gál |
1939 |
Unpublished |
|
What a Life |
Music to the bilingual internment camp revue, Douglas, Isle of Man. For middle voice(s), flute, clarinet, string quartet and piano |
1940 |
Unpublished |
|
Three Impromptus |
for two pianos |
1942 |
Unpublished |
|
Three Lyrics to Poems by Thomas Moore |
for mixed voices and piano |
1942 |
Unpublished |
|
Prelude and Fugue in A Flat |
for organ |
1956 |
Unpublished |
|
Intrata Giocosa |
for descant, treble and tenor recorders, two violins and cello (double bass ad lib) |
1958 |
Unpublished |
|
Two Scottish Rhapsodies |
for cello and piano |
1960 |
Unpublished |
|
Vorspiel zu einer Feier (Prelude to a Pageant) |
for orchestra |
1965 |
Unpublished |
|
In neue Räume (Into New Rooms) |
for mixed choir (SATB), flute, oboe, two clarinets, bassoon, two horns and strings |
1965 |
Unpublished |
|
Part-songs |
for mixed voices (SATB) a capella |
1966 |
Unpublished |
|
Phantasia, Arioso and Capriccioso |
for organ |
|
Unpublished |
|
Beethoven: Three Marches, Op.45 |
arranged for orchestra by Hans Gál |
|
Unpublished |
|
Five Provençale folk-songs |
arranged for female choir (SSA) a cappella by Hans Gál |
|
Unpublished |
|
Handel: Overture to 'Bérénice' |
arranged for string orchestra by Hans Gál |
|
Unpublished |
|
Handel: Overture to 'Faramondo' |
arranged for flute and string orchestra by Hans Gál |
|
Unpublished |
|
Schubert: Two Marches Militaires |
arranged for orchestra by Hans Gál |
|
Unpublished |
|
Monsigny: Das Lebenselixir |
Komisches Singspiel, arranged by Hans Gál |
0 |
Unpublished |
|
Suite for viola znd orchestra |
|
0 |
|