Hans Gál: The Four Symphonies

Orchestra of the Swan/Kenneth Woods
Gál: Symphony No.1 Op.30
Gál: Symphony No.2 Op.53
Gál: Symphony No.3 Op.62
Gál: Symphony No.4 (Sinfonia Concertante) Op.105
Avie Records AV2322 (double CD) 2015
Where to buy or listen
Hans Gál: The Four Symphonies
Hans Gál • Orchestra of the Swan; Kenneth Woods (conductor)
About this release
This two‑disc set is the first recording of Hans Gál’s complete cycle of symphonies. Spanning four decades—1927, 1942–43, 1951 and 1964—the symphonies trace the composer’s journey from pre‑war Vienna through exile to his later years in Edinburgh. Each score is steeped in melody and finely wrought counterpoint: the First blends late‑Romantic sweep with Haydnesque wit; the Second juxtaposes sombre introspection with Viennese waltzes; the Third offers pastoral lyricism and energetic scherzos; and the compact Fourth crowns his output with radiant clarity. Kenneth Woods and the Orchestra of the Swan give authoritative performances that reveal the unity and individuality of Gál’s symphonic voice.
Where to buy or listen
- Presto Music product page (CD/download)
- Avie Records release page (CD)
- Orchestra of the Swan shop (CD)
What critics said
These accolades come from an international press round‑up on the Orchestra of the Swan’s site, which gathers praise from NPR, Gramophone (Editor’s Choice) and BBC Music Magazine. The comments highlight the melodic richness of Gál’s symphonies and the clarity and warmth of the performances. Read the press quotes at Orchestra of the Swan. Other critics have noted that the recordings bring long‑overlooked masterpieces firmly into the 21st‑century repertoire.
Further context
The release of these symphonies marked a turning point in the Gál revival. Recorded in tandem with concert performances, they present a chronological portrait of his evolving style. The set highlights connections to the Austro‑German tradition while illustrating his mature adaptation to post‑war musical life in Britain. Together, the four symphonies offer insight into a composer whose voice remained consistently singable and richly textured despite profound personal upheaval.
I. Improvvisazione: molto moderato
II. Scherzo leggiero: vivace ma no presto
III. Duetto: adagio
IV. Buffoneria: Allegro con spirito
Excerpts from
Hans Gál: Symphony No.4; Robert Schumann: Symphony No.2
Orchestra of the Swan/Kenneth Woods
Avie 2012
Symphony No.3 in A Op.62 (1951-1952)
I. Andantino - allegro vigoroso e passionato,
II. Andant tranquillo e placido
III. Allegro molto moderato
Excerpts from
Hans Gál Symphony No.3, Robert Schumann Symphony No.3 Rhenish
Orchestra of the Swan / Kenneth Woods
Avie 2011
op. 53 (1942-3)
I. Introduction: Andante - Adagio
II. Allegro energico - molto moderato
III. Adagio
IV. Allegro moderato ma agitato
Excerpte from:
Hans Gál Sytmphony No.2, Robert Schumann Symphony No.4
Kenneth Woods/Orchestra of the Swan
Aviie 2013 (Movements 1 and 2)
Franz Schubert Symphony No.9, Hans Gál Symphony No.2
Thomas Zehetmair/Northern Sinfonia
Avie/The Hans Gál Society, 2011 (Movements 3 and 4)
Symphony No.1 (D major) (originally Sinfonietta)
Op.30 (1927)
Idylle, Burleske, Elegie, Rondo
Excerpts from
(movements 1 and 2)
Hans Gál: Symphony No.1, Schumann: Symphony No.1
Orchestra of the Swan/Kenneth Woods, Avie 2014
(movement 4)
Hans Gál Symphony No.1, Schubert Symphony No. 6.
Royal Northern Sinfonia/Thomas Zehetmair, Avie/The Hans Gál Society 2011















































































